Schayer and writer Nina Wilcox Putnam learned about Alessandro Cagliostro and wrote a nine-page treatment entitled Cagliostro.
Schayer found none although the plot bears a strong resemblance to a short story by Arthur Conan Doyle entitled The Ring of Thoth. commissioned story editor Richard Schayer to find a literary novel to form a basis for an Egyptian-themed horror film, just as the novels Dracula and Frankenstein informed their 1931 films Dracula and Frankenstein. Inspired by the opening of Tutankhamun's tomb in 1922 and the Curse of the Pharaohs, producer Carl Laemmle Jr.
Production File:Mummy-1932-film-poster.jpgįilm poster with text: "Karloff the uncanny in The Mummy" The sequence was cut from the film by Karl Freund due to time. The Saxon Warrior was originally part of a long flashback sequence showing all of Helen’s past lives from ancient Egypt to the present. Henry Victor is listed in the credits but never appears in the film.
#The mummy movies series list movie
Muller, Frank calls Helen back to the world of the living while the Scroll of Thoth continues to burn.Ĭast File:The Mummy, Boris Karloff (1932).jpgīoris Karloff in a shot used about four times in the movie In credits order This breaks the spell that had given Imhotep his immortality, causing him to age rapidly and then crumble to dust. The statue of Isis raises its arm and emits a beam of light that sets the Scroll of Thoth on fire. She is saved when she remembers her past life and prays to the goddess Isis to save her. Believing her to be Ankh-es-en-amon's reincarnation, he attempts to kill her, with the intention of mummifying her, resurrecting her, and making her his bride. Imhotep encounters Helen Grosvenor ( Zita Johann), a woman bearing a striking resemblance to the Princess. The archaeologists find the tomb, give the mummy and the treasures to the Cairo Museum, and thank Ardath Bey for the information. He shows them where to dig to find Ankh-es-en-amon's tomb. He calls upon Sir Joseph's son, Frank ( David Manners) and Prof. Imhotep escapes from the archaeologists, taking the Scroll of Thoth, and prowls Cairo seeking the modern reincarnation of Ankh-es-en-amon.ġ0 years later, Imhotep is masquerading as a modern Egyptian named Ardath Bey. Despite Muller's warning, Sir Joseph's assistant Ralph Norton ( Bramwell Fletcher) reads aloud an ancient life-giving scroll – the Scroll of Thoth. Imhotep had been mummified alive for attempting to resurrect his forbidden lover, the princess Ankh-es-en-amon. Muller ( Edward Van Sloan) reveals that the viscera were not removed, Muller deduces that Imhotep was buried alive for sacrilege. When an inspection of the mummy by Whemple's friend Dr. The film’s female lead was played by Jeanne Roland, who had to have her voice dubbed because her French accent was too thick for an English production.In 1921, an archaeological expedition led by Sir Joseph Whemple ( Arthur Byron) finds the mummy of ancient Egyptian priest called Imhotep ( Boris Karloff). Second, other than character actors Michael Ripper and George Pastell, director Carreras and designer Bernard Robinson, most of the cast were outside the Hammer crew of regulars, so no Lee, no Peter Cushing, no Ralph Bates, and none of the usual Hammer ingénues. The Curse of the Mummy’s Tomb breaks a number of Hammer conventions first, it was filmed outside of the legendary Bray Studios, instead, this Mummy pot boiler was instead filmed at Elstree Studios. Time has been kind to the Hammer Mummy films, originally panned as schlock, the four films in Hammer’s Mummy cycle have aged very well, often receiving more modern praise than Universal’s series of films.
the Aztec Mummy is still more original than anything the WWE has crapped out in the past half a decade. Yeah, it may be schlock but Wrestling Women vs. How the hell do you suplex a snake?įurther reading: 13 Essential Werewolf MoviesĪnyway, the Wrestling Women have a lady wrestler mummy on their side so there is more than one mummy in this masterpiece. Now, Xochitl can turn his undead ass into a snake and a bat, something that not even Karloff could do. In probably the most on the nose title in the history of cinema, a bunch of lady wrestlers take on the mummy Xochitl. Let us leave Egypt for a moment and travel to Mexico for this little bit of wonderful.
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